Ha! Ha! White folks, yo'all sho is a mess." īenny Goodman, the 1930s-era bandleader nicknamed the "King of Swing", called swing "free speech in music", whose most important element is "the liberty a soloist has to stand and play a chorus in the way he feels it". When jazz performer Cootie Williams was asked to define it, he joked, "Define it? I'd rather tackle Einstein's theory!" When Louis Armstrong was asked on the Bing Crosby radio show what swing was, he said, "Ah, swing, well, we used to call it syncopation-then they called it ragtime, then blues-then jazz. denotes music that really swings." The Jazz in America glossary defines swing as, "when an individual player or ensemble performs in such a rhythmically coordinated way as to command a visceral response from the listener (to cause feet to tap and heads to nod) an irresistible gravitational buoyancy that defies mere verbal definition." Indeed, some dictionaries use the terms as synonyms: "Groovy. Like the term " groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define.
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